Concluding that inward desires now hark for a return journey, I travel west back to England equipped with all but 1 member of the fragrance family. Informed by my experiences in Greece and the acquiring of scented knowledge, I compile one last fragrance from of Dionysus. It is redesigned for English audiences with respect, not spite. As such, a votive offering of wine is created, referencing at once Dionysus’ religious and cultural prowess and his capacity for madness. New Di

My latest work signifies something of a breakthrough in terms of what a jar of paint can depict: A degree of subjection is instantly attached to the contents of each jar. They no longer represent paint; they represent the essence of paint. Four Jars of Memory The properties of food have still been exploited in order to achieve the paint. But rather than describing the face value of the paint, labels have been attached that describe metaphorical and experiential attachment to